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Hello friends, and SURPRISE! We get a BONUS "Tuesday from the Trenches" post this week... on Thursday! The post and giveaway with Monica Acker is still going strong, so if you missed that, you can find it HERE. I had the opportunity to interview my agent sibling this week, and I just couldn't pass up the chance! So join me in welcoming B.A. Cabada to the blog and thanking him for the generous giveaway opportunity at the end!




Thank you so much for joining us today, Borja! I’m thrilled to share your query story with my readers. Especially since we are agent siblings and I adore Emily!


So do I, Kailei! Thank you for having me! I’m so excited to be here sharing my query journey with your readers.


Yay!! Let’s just jump right in… Can you share your query stats with us? (as far as you know/remember. It’s okay if some of these numbers are zero):


Time Spent in the Query Trenches: A little over 4 months.

Number of Agents Queried: 87

Number of Requests for Additional Work/Full Manuscript: 18

Number of Twitter Pitch “Likes”: I didn’t participate in any pitch events.

Number of R&Rs: 0

Number of Rejections: I got 44 rejection emails; the rest never responded.

Number of Offers: 2

Agent and Agency: Emily Forney, BookEnds Literary


Photo Credit: Santi Veiga


How did you keep track of it all? What was your method for organizing queries? Spread sheet? Query Tracker? Etc.


I used a spread sheet, and it was such a mixed bag of hopefulness, anxiety, and frustration. I remember looking at it and dreaming of the day I could just toss it out when I finally found an agent. Funny thing is I still have it on my computer. I think it’s good to remember all the work and effort that went into the process—helps me value how lucky I am to have found such an amazing agent after all those ups and downs.


I still have my spread sheep saved on my computer as well! I think it’s a good reminder like you say. And I understand about the anxiety and frustration it could elicit. So tell me, how did you handle rejections? Did any sting more than others?


For better or worse, about half of the rejection emails I got were actually soft passes, and those agents did have a lot of good things to say about my book. Even though it was still a bummer, I felt encouraged to keep querying. In fact, I always took the time to write them back and let them know how grateful I was to receive this type of response. When someone shows you kindness in this industry, I think it’s important to put aside your frustrations and acknowledge that on the other side of things there are real people investing their time in your dream. Even if they decide your work isn’t the best fit for them, at least they treated it with respect and empathy.


I did get my fair share of form rejections, too, but I guess the ones that really stung were the no-response ones, especially when it was an agent I thought could be a great match for me and my book. Sadly, though, that’s part of the game, so there’s not a whole lot you can do about that other than shake it off and move on to the next query.


That’s really good advice to be able to shake it off and move on. I absolutely agree that the no responses are the hardest. And those soft passes really do keep you going.

How did you find agents to query/how did you decide who to query?


I had a very clear idea of the type of agent I wanted to end up with, so I spent hours and hours going through different databases, agent profiles, agency websites, social media, and such, paying special attention to manuscript wish lists. That being said, I must admit I was more selective at the beginning, but the scope got broader as time went by—you know that panicky feeling you get when you’re in the trenches and rejections start coming in? Suddenly any agent that carries your genre seems like a good fit haha. All kidding aside, though, I never completely gave up the idea of finding the perfect agent for me—even when I did have my doubts it would ever happen—so when I eventually crossed paths with Emily, you can imagine how incredibly happy and thankful I felt.


I absolutely know what you mean about broadening your scope. And yes! Suddenly Emily was this new agent and absolutely perfect and it was just an amazing thing! How did you ultimately connect with Emily?


It was a cold query, and it was my very last, Hail Mary attempt to reach out to an agent before I seriously considered giving up, or at least taking a break. After 4 months in the trenches, my optimism was dangerously fading away with every new rejection, and the thought of finding an agent—let alone one I could share a strong connection with—seemed farther and farther away. Then I saw an announcement from BookEnds about their new hires. One of them was Emily. I sent out the query, gathering all the hope I had left in me. Waited for her response. And the rest, as they say, is history.


That’s amazing! And I must say, 4 months is actually really impressive! I myself spent 20 months in and out of the trenches. I’m so glad that you gave it another go with Emily. How much time passed between querying her to getting “the call”?


Literally, 3 days. She reached out asking for the full MS on a Saturday only 3 days after I had sent out my query. I remember it so clearly because I had just spent the day out kayaking for the first time! As soon as I got home I emailed her the full text, and by Sunday evening she was already asking me to set up a call. It all happened so fast! And oh, was I excited. Let me put it this way: I’m not one for crying, but I can honestly say my eyes welled up big time.


That is so so exciting! Especially since you were so discouraged leading up to this. I love it! Can you tell us more about “the call” with Emily? How did you know she was the right choice?


It was the perfect call. Seriously. We immediately clicked, not just because I could tell right from the get-go she was super passionate about my book and had a clear plan for it, but also because it all just flowed as if we had known each other our whole life. They say publishing is an industry of relationships, but what Emily and I had was this sort of amazing connection that (if I can speak for the both of us) neither of us expected. That is the author’s dream. And BookEnds was definitely at the top of my agency list, too. So when the time came for me to make a decision, it was truly a no-brainer.


That is so wonderful. I know exactly what you’re talking about too based on my call with Emily. Isn’t she amazing?

Could you tell us a little about your book that landed your agent? I am fascinated by middle grade fiction. It is seriously my preferred genre to read for fun. I think it’s such a magical age.


I couldn’t agree more! I’ve always been a fan of middle grade fiction. My book is a riveting ghost-hunting story about a young medium and his half-witch friend, who team up to solve a supernatural mystery that threatens the safety of their town and leads them to the ruins of the Spooky Spirits Society—a secret school club founded back in 1984 by a handful of… let’s just say very unique students. The book is set against the eerie backdrop of the historic town of Tarrytown, NY, and it is the first installment in a planned pentalogy packed with suspense, heart, and just a dab of magic rooted in Celtic mythology. But above everything else, it’s a story of compassion, grief, and friendship. Honestly, I cannot wait to share it with the world!


Oh my goodness, that sounds absolutely incredible! I can’t wait to hear about a book deal so that I can put it on my list to pre-order. This sounds right up my ally!

If you could give querying authors a piece of advice, what would that be?


First of all, congratulate yourself on finishing your book and take a moment to really let that sink in—it’s no easy feat, believe me. And for those of you in the thick of querying, hang in there. Querying takes time. Be true to yourself in your query and don’t be afraid to share your personal motivation for writing your book. Remember, publishing is all about people connecting. Nobody wants to work with a jerk. So don’t take it personally if your book gets rejected. Keep at it. And have a support system around you—I know I wouldn’t have lasted long without some of my closest friends by my side.


That is all wonderful advice. Thank you so much! This has been an absolute blast. Thank you so much for joining me! Before I let you go… where can we connect with you online?


Both my Twitter and Instagram handles are @cabadawrites. Feel free to reach out and ask me anything! I’m always happy to chat with fellow authors.


You are wonderful! Thanks so much for joining us today! I’ve had a great time chatting and learning more about your journey. Best of luck on submission! I can’t wait to see your books in the world (and on my shelf especially).


Me too! Thanks so much for letting me share my story on your blog. Good luck to everyone still in the trenches! You’re not alone!


GIVEAWAY OPPORTUNITY!

B.A Cabada is offering one lucky reader a query critique! Remember, his query landed him a request for more in only 3 days. So you don’t want to miss this chance! To enter, follow both Borja and Kailei on Twitter and retweet THIS tweet. Best of luck to everyone! Winner will be announced on twitter 12/10.



About B.A. Cabada

Photo Credit: Santi Veiga


B.A. Cabada is an award-winning author, screenwriter, and occasional illustrator from Spain. He holds an MA in Writing and Publishing from DePaul University, where he attended as a Fulbright scholar.


As a screenwriter, he has served as script consultant on three episodes of Amazon’s “Carnival Row.” He has also penned several projects for television and film, including Rosario Dawson’s directorial debut for Google and Straight Up Films, and worked in script development for some of the most influential content and talent hubs in Hollywood, namely Studio 8 (Alpha, White Boy Rick) and Heroes & Villains Entertainment.

After surviving leukemia back in 2017, his first novel in Spanish, El sonido de Atlantis, won the Logroño Book Prize for Emerging Authors that same year, and was published in Spain by Grupo Anaya’s imprint Algaida to great critical and public success. Since then, he has been more committed than ever to his writing career. Stay tuned for more news on his middle-grade debut: Spooky Spirits Society, a fun yet gripping novel full of ghosts and thrills!



About Kailei Pew

Kailei Pew is a wife, mother, and picture book author represented by the amazing Emily Forney of Bookends Literary.She is an active member of SCBWI, a 2019 Write Mentor Mentee, and a finalist in Susanna Leonard Hill's 2019 Holiday Writing Contest. She loves writing picture books that help kids see they can do anything they set their minds to.Kailei can't wait to get her stories into your hands.

Happy Wednesday, readers! It's been a minute since I've done a book review as I've transitioned this blog to Tuesday From The Trenches, but I have been missing book blogging, so I will be transitioning back to more of a balance between the two. I'll still be hosting a weekly interview with an agented author about their journey through the query trenches, but twice a month I will also be doing book reviews or debut author interviews. I hope you enjoy the new balance! Today I am sharing an interview with Janie Emaus, debut author of Latkes for Santa Claus. I loved this book so much and hope that you will all pick up a copy! Join me in welcoming Janie to the blog today.





Thanks so much for joining me today, Janie! I am thrilled to be featuring your book, Latkes for Santa Claus. I loved the mash up of Hanukkah and Christmas. It’s really such a great book for culturally blended families, as well as for those of us who want to better understand cultures different than our own. I also thought it was such a fun way to introduce new holiday treats!


Can you tell us a little bit about your inspiration for the book? How did this idea come to you?


I was raised Jewish and celebrated my first Christmas after marrying my husband. When our daughter was born, we had a Christmas tree, left cookies for Santa and lit our menorah for the eight nights of Hanukkah. I began to wonder if our daughter was confused. Not being able to find any fun, fanciful books with characters she could relate to, I decided to write my own.



That is wonderful. I absolutely feel like your book fills a hole in the market. It's truly delightful. Let’s talk a bit about the recipes you share in the back of your book. Are these personal family recipes of your own?


The latke recipe is our mouth-watering one passed down through the generations. Every year, the women in our family gather to peel, chop, fry and eat our latkes. It was during one of these events when the idea sizzled into my mind to have my main character leave latkes for Santa Claus.



I love that! Ideas really can come from everywhere. Will you share a little more about your publishing journey? How did you find a home for Latkes for Santa Claus? What was the submission process like?


Since I couldn’t find any books blending Hanukkah and Christmas in an enjoyable way, I thought my book would sell. Easy Peasy. Right. Wrong! It took over fifteen years, several agents and dozens of rejections for the book to sell.


Then back in December 2019, I entered #Pitmad. For those unfamiliar, #Pitmad is a Twitter event where authors tweet their pitch in 280 characters and anxiously wait, refreshing every few minutes, or seconds, for an agent or editor to like the pitch.


My editor liked my tweet on Thursday. I sent her the manuscript on Saturday. And on Tuesday, she offered me a contract! I like to say that after only a few decades, I became an overnight success. I learned a few days ago, that the book went into a second printing.


I love PitMad so much! I found my agent through the September event, so it holds a dear place in my heart. I love that you had such an amazing success story after so many years of nos. What a testament to your perseverance. Do you have any advice for authors considering going directly to publishers rather than working through an agent?


That’s a tough question. If you’re planning on going the traditional route, depending on the genre of your manuscript, you usually need an agent. Children’s book publishers are more open to unsolicited submissions. As are some of the smaller presses, such as Wild Rose Press, the publisher where I sold my time travel romance.

But the big publishers require submissions through agents.

I’m currently looking for an agent for my Women’s Fiction novel. I follow agents on Twitter and on Manuscript Wish List. (MSWL) I’ve been in the querying trenches for years, on and off, and I know how subjective this business can be. I’ve had several agents throughout my writing career and from my experience, no agent is better than a bad one.


But it’s all about perseverance and believing in yourself.


So very true, Janie! I truly believe that every author can make it if they don't give up. Thank you so much for joining us today! Best of luck as your beautiful debut continues to sell. I can't wait to see what else comes for you.




About Janie Emaus

Janie Emaus is an author/blogger. LATKES FOR SANTA CLAUS is her debut picture book. She is also the author of the young adult novel, Mercury in Retro Love. Her essays and short stories have appeared in numerous anthologies and websites. The first book in her time travel series, The Time Traveling Matchmaker, will be released in Spring 2021. To learn more about Janie, visit her website www.janieemaus.com and her blog at https://medium.com/@janieemaus



About Kailei Pew

Kailei Pew is a wife, mother, and picture book author represented by the amazing Emily Forney of Bookends Literary.She is an active member of SCBWI, a 2019 Write Mentor Mentee, and a finalist in Susanna Leonard Hill's 2019 Holiday Writing Contest. She loves writing picture books that help kids see they can do anything they set their minds to.Kailei can't wait to get her stories into your hands.


Happy Tuesday, KidLit friends! I feel like the past month or so has flown by. This year will soon be over, and I'm sure that we're all glad to see it go! But as crazy and difficult as this year has been, there's also been a lot of good. I was able to sign with my own agent, Emily Forney, and start this super fun blog series featuring querying authors and their time in the trenches leading up to publication. I've loved this series so much, and hope you have too.


Before I introduce you to this week's guest, let me first ask you: Have you heard about the KidLit Holiday Dance Party? Have you registered? If not, make sure to get on that right away! Space is limited, and we're 80% full right now.


And now, join we in welcoming Monica Acker to the blog today!


Thank you so much for joining us today, Monica! I’m thrilled to share your query story with my readers!

Thanks so much for having me. I always enjoy reading everyone’s unique paths and now I get to share mine!



It's really been so fun to see just how unique each path to representation is. I'm excited to hear about yours. Can you share your query stats with us?


Time Spent in the Query Trenches: Two years, but really three phases. July 2018: Two months into writing seriously. Definitely not ready. My apologies to the handful of agents I queried. Fall 2019: Dipped toes in the water. Form responses. January to July 2020: Not sure if I would ever feel totally ready, but dove in!

Number of Agents Queried: 43

Number of Requests for Additional Work/Full Manuscript: 1

Number of Twitter Pitch “Likes”: 1

Number of R&Rs:

Number of Rejections: Loads.

Number of Offers: 1

Agent and Agency: Kaitlyn Sanchez at Olswanger Literary Agency



I think we've all queried too soon as least a time or two. I know I did, at least!

How did you keep track of it all? What was your method for organizing queries? Spread sheet? Query Tracker? Etc.

I love an Excel spreadsheet. I like that I can adjust my sort to see agents at the same agency, submissions by story, date sent, etc.



I'm the same. Nothing like a good Excel sheet to keep me organized.

How did you handle rejections? Did any sting more than others?

I queried the first story I wrote. I brought it to one critique group. And if I recall correctly, I called my mom to say the group didn’t hate it so now I just needed to find an agent. Ha! There was so much I didn’t know I didn’t know. But when that first rejection rolled in, I thought, how lucky I was that someone took the time to read what I wrote. I even queried an agent who was closed to queries, such a rookie move, but she sent me my first personal rejection. She was so kind and encouraged me to keep writing. So I did.


Every agent I queried, I felt some sort of connection with, or else I wouldn’t have queried them, so there was a bummer feeling when a rejection came in. Scattered among the rejections were positive comments about my stories or my writing. These told me I was on the right path. I took screenshots on my phone of the personal notes to reflect on when doubts crept in here and there. And when a no came into my in-box, I usually found the best way to remove the sting was to replace it with hope by sending another query.



I love those kind and encouraging rejections so much! They kept me going. And I know exactly what it is like to no even realize all the things you don't know yet. But the kidlit community is so kind and accepting. Authors and agents alike.

How did you find agents to query/how did you decide who to query?

I started assembling agent info from various sources such as conferences I attended, blog interviews, and Twitter. Then another writer kindly shared her list of agents, so I used that as a starting point for research.



I seriously love how generous people are! So between all of that, how did you ultimately connect with your agent? Did you cold query? Participate in a twitter pitch event? Or connect in some other way?

This is where I feel like a cheater-cheater pants because I did not traditionally query Kaitlyn. I was incredibly lucky, but it boils down to making connections. My super star agent runs a fantastic blog. She conducts interviews and often offers giveaways (in addition to running the #FallWritingFrenzy and #SpringFlingKidlit contest). I won a critique with an author through the blog and sent a manuscript in the same email thread, including the author and Kaitlyn. The story I shared caught Kaitlyn’s eye. She helped me get the MS submission ready, because the story of my heart touched hers as well.

This got me on the radar. And as I sent the MS out, Kaitlyn cheered me on. Once Kaitlyn started taking on clients, she reached out to me to see if my body of work would be a good fit for her list. The first things I sent weren’t quite right yet, but she asked for revisions and more work. We went back and forth a lot, but I always felt encouraged to be better. I hoped a mentorship through #PBChat would help get my MSs to where they needed to be, but when I didn’t earn one, I tackled revisions again, with the help of CPs (Always. If you do not have critique partners, find some) and sent them off to Kaitlyn one more time. This time, within, minutes (ok, maybe hours) my phone rang. Kaitlyn said she was so excited about the revisions that she had to call right away. During that quick call we set up “the call.”




Oh wow! That is all so amazing. And not cheating at all! It's so important to take all of those awesome opportunities. You never know what will come from them. And how amazing that she called you so soon after some time of back and forth! Kaitlyn is seriously so kind and supportive. I've loved my interactions with her. Can you tell us more about “the call”? How did you know Kaitlyn was the right choice?


I feel lucky to have known Kaitlyn from Twitter as a writer friend before she was an agent. I knew going into the call that she is passionate about kidlit and great at connecting people. During “the call” I got to know Kaitlyn the agent. We had a similar vision for my MSs and the process of revising and resubmitting showed me how well we work together. It was a no-brainer.




I love that so much. And I couldn't agree more that Kaitlyn is an amazing cheerleader and champion in the kidlit community.

If you could give querying authors a piece of advice, what would that be?

Keep learning and writing. Once the query is sent, it is out of your control, so focus on what you can control. Take a webinar, read lots of books, attend a class, and write, write, write. Also, writing can feel really solitary, but get out there and make those connections.



Your story is a great testament to the good that comes from making those connections. That is wonderful advice! Before I let you go, where can we connect with you online?

My infrequently updated blog https://teacherwriteracker.home.blog/


Thanks so much for joining us today! This has been so much fun and I've loved hearing your story on the path to representation!



GIVEAWAY OPPORTUNITY

Readers, Monica has generously offered one lucky reader a non-rhyming picture book manuscript critique! To enter, follow both Monica and Kailei on twitter and retweet THIS tweet. Best of luck to everyone!



About Monica Acker

Monica Acker is a picture book writer and kid lit cheerleader represented by Kaitlyn Sanchez of Olswanger Literary. She is a member of SCBWI and Julie Hedlund’s 12 x12 Picture Book Challenge. Born and raised in New York, she now resides north of Boston, MA with her husband and three wicked awesome daughters.


About Kailei Pew


Kailei Pew is a wife, mother, and picture book author represented by the amazing Emily Forney of Bookends Literary.She is an active member of SCBWI, a 2019 Write Mentor Mentee, and a finalist in Susanna Leonard Hill's 2019 Holiday Writing Contest. She loves writing picture books that help kids see they can do anything they set their minds to.Kailei can't wait to get her stories into your hands.

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